Episode 54 – 'Miami Blues'

Four years before Pulp Fiction set off a trend of quirky, violent crime films in the ’90s, writer/director George Armitage adapted the first of Charles Willeford’s Hoke Moseley novels with this violent, titularly Miami-based gem starring a gorgeous and unhinged Alec Baldwin. On this episode former guests Kyle Smith and Tyler Savage discuss:

• this 1990 Jonathan Demme-produced film;

• its exuberant personality;

• the long-lasting influence of Willeford (Tarantino initially said he was aiming for the author with Pulp Fiction);

• and Armitage’s career from Roger Corman, Gross Point Blank, and the chaotically studio-edited The Big Bounce.

Also:

• Fred Ward’s late-’80s/early-’90s streak;

• alternate castings over the years for Hoke Moseley;

• whether Jennifer Jason Leigh is playing an under- or overage sex worker;

• and the rise and fall of that ’90s crime film trend.

Kyle Smith is writer/director of the films Blue Highway and Turkey Bowl, which debuted at the 2011 SXSW Film Festival. Currently in development on his third feature, you can find Kyle and his film thoughts on Letterboxd.

After playing the festival circuit in a pandemic-ravaged festival season, Tyler Savage’s second directed-feature, Stalker, which he also co-wrote, will be released Vertical Entertainment in early 2021. Savage also wrote/directed Inheritance, along with associate producer credits on Song to Song, Knight of Cups, and Voyage of Time.

Miami Blues is available on Blu-ray from Shout! Factory (though it’s sold out on their website) and streaming on Amazon Prime.

Episode 47 – 'Nothing Lasts Forever' & 'SNL' Cinema

Filmmaker Kyle Smith is back, along with first-time guest co-host and old friend of the show (and me), writer and performer Dustin Levell, to pick and talk one of Saturday Night Live’s founding filmmakers, Tom Schiller, his lone feature film, and its bizarre underground relegation. On this episode, we also discuss:

• Schiller’s self-description as a “foreign” director,

• how out of place this style is from SNL’s current formatted format,

• why SNL films are less about format than characters,

• and how truly amazing it is that a movie with these stars and filmmakers was shelved at the height of the comedy boom that SNL helped create.

Also:

• If this is or isn’t Lorne Michaels first produced narrative feature,

• is or isn’t the first “SNL movie,”

• what its failure to even secure a release might have done to Michaels other produced films,

• the relationship between him and Schiller,

• the filmmakers from Adam McKay to Christopher Guest that have sprung from SNL ranks,

• and outsiders who’ve made short films for the show such as Robert Altman, Paul Thomas Anderson, Martin Breast, and Jim Jarmusch.

Kyle Smith is writer/director of the films Blue Highway and Turkey Bowl, which debuted at the 2011 SXSW Film Festival. Currently in development on his third feature, you can find Kyle and his film thoughts on Letterboxd.

Dustin Levell is a Chicago-based comedy writer, performer, and stage director.

Nothing Lasts Forever made its television premiere on Turner Classic Movies, which means it will hopefully air again in the future. Bootlegs are also available for purchase.