Quentin Tarantino

Episode 59 – 'The Films of Budd Boetticher' w/ Author Robert Nott

Though born in Chicago, Budd Boetticher was adopted and raised in Evansville, making him somewhat inarguably its most notable filmmaking resident. Ted Haycraft is back and joined by writer Robert Nott, author of The Films of Budd Boetticher, to discuss the director’s movies with Randolph Scott, and more:

  • Boetticher’s influence on filmmakers Clint Eastwood, Quentin Tarantino (who named a Kill Bill character after Budd), and Martin Scorsese (who highlighted The Tall T in his Personal Journey Through American Movies);

  • his high school (spoiler alert: he went to the same one as someone on this podcast);

  • if Boetticher was the first Western filmmaker to use terse dialogue or morally ambiguous antagonists;

  • and what his films presents to younger viewers now.

Also:

  • His bullfighting exploits, performed and filmed, before and after the Ranown Cycle;

  • if the minimalism or violence of his Westerns is the bridging link between John Ford and Sergio Leone;

  • what Boetticher’s career would have been like if his success had extended into the ’60s or ’70s;

  • and the mythologizing he did in the final 20 years of his life on the film festival circuit.

Haycraft is film critic for Evansville’s WFIE-14 and co-hosts Cinema Chat on its Midday show. He can also be found on Cinema Chat’s Facebook page.

Robert Nott has been a reporter for the Santa Fe New Mexican for more than fifteen years. Among his other books are The Films of Randolph Scott, He Ran All the Way: The Life of John Garfield, Last of the Cowboy Heroes: The Westerns of Randolph Scott, Joel McCrea, and Audie Murphy, and the short story collection The Squatters & Others.

His book The Films of Budd Boetticher is available from McFarland & Company. A DVD boxset of the same name, containing the films The Tall T, Decision at Sundown, Buchanan Rides Alone, Ride Lonesome, and Comanche Station is available from Sony.

Episode 54 – 'Miami Blues'

Four years before Pulp Fiction set off a trend of quirky, violent crime films in the ’90s, writer/director George Armitage adapted the first of Charles Willeford’s Hoke Moseley novels with this violent, titularly Miami-based gem starring a gorgeous and unhinged Alec Baldwin. On this episode former guests Kyle Smith and Tyler Savage discuss:

  • this 1990 Jonathan Demme-produced film;

  • its exuberant personality;

  • the long-lasting influence of Willeford (Tarantino initially said he was aiming for the author with Pulp Fiction);

  • and Armitage’s career from Roger Corman, Gross Point Blank, and the chaotically studio-edited The Big Bounce.

Also:

  • Fred Ward’s late-’80s/early-’90s streak;

  • alternate castings over the years for Hoke Moseley;

  • whether Jennifer Jason Leigh is playing an under- or overage sex worker;

  • and the rise and fall of that ’90s crime film trend.

Kyle Smith is writer/director of the films Blue Highway and Turkey Bowl, which debuted at the 2011 SXSW Film Festival. Currently in development on his third feature, you can find Kyle and his film thoughts on Letterboxd.

After playing the festival circuit in a pandemic-ravaged festival season, Tyler Savage’s second directed-feature, Stalker, which he also co-wrote, will be released Vertical Entertainment in early 2021. Savage also wrote/directed Inheritance, along with associate producer credits on Song to Song, Knight of Cups, and Voyage of Time.

Miami Blues is available on Blu-ray from Shout! Factory (though it’s sold out on their website) and streaming on Amazon Prime.